Gallery›Private collection›The Liverpool Studio mentioned on the case lid opened in 1849 (by Richard Beard Junior) so the date must naturally be 1849 or later (information provided by G. Batchen) Very skilfully and richly colored. Bought in London 1985. The lid is detatched from the tray (damage). Meget pent kollorert. Kjøpt i London 1985. Lokket er løsnet fra brettet.
The Liverpool Studio mentioned on the case lid opened in 1849 (by Richard Beard Junior) so the date must naturally be 1849 or later (information provided by G. Batchen) Very skilfully and richly colored. Bought in London 1985. The lid is detatched from the tray (damage). Meget pent kollorert. Kjøpt i London 1985. Lokket er løsnet fra brettet.
Private collection

The Liverpool Studio mentioned on the case lid opened in 1849 (by Richard Beard Junior) so the date must naturally be 1849 or later (information provided by G. Batchen) Very skilfully and richly colored. Bought in London 1985. The lid is detatched from the tray (damage). Meget pent kollorert. Kjøpt i London 1985. Lokket er løsnet fra brettet.

agent 64a34dd6-c9fc-11e3-ad13-67f4123167cf

CC0 — Public Domain
Private collection

The Liverpool Studio mentioned on the case lid opened in 1849 (by Richard Beard Junior) so the date must naturally be 1849 or later (information provided by G. Batchen) Very skilfully and richly colored. Bought in London 1985. The lid is detatched from the tray (damage). Meget pent kollorert. Kjøpt i London 1985. Lokket er løsnet fra brettet.

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Dating based on Neupert's daguerreotype activity in Christiania seen in his newspaper ads. Before taking up photography Neupert had a business selling womens capes (?) as well as artificial flowers whcih he advertised in newspapers until as late as 1844.
Private collection
Dating based on Neupert's daguerreotype activity in Christiania seen in his newspaper ads. Before taking up photography Neupert had a business selling womens capes (?) as well as artificial flowers whcih he advertised in newspapers until as late as 1844.
agent 512cdd9c-7f9a-9b86-b808-4af6dc7dc345
Håndkolorerte smykker, kanskje også hud. Vanskelig å se motivet pga mange striper på platen, antagelig etter forsøk på å rense den. Platen ligger helt ut mot frontglasset, med delvis synlige platemerker øverst i motivet: "PRIMA, B[E?][rlin?], [...][R?]MANN Co". Malingen på baksiden av frontglasset flasser, og papp-passepartout som trolig har vært tilstede mangler nå. Kan ha blitt fjernet pga vannskade, baksidepapiret peker også i retning av en eldre reparasjon.
Private collection
Håndkolorerte smykker, kanskje også hud. Vanskelig å se motivet pga mange striper på platen, antagelig etter forsøk på å rense den. Platen ligger helt ut mot frontglasset, med delvis synlige platemerker øverst i motivet: "PRIMA, B[E?][rlin?], [...][R?]MANN Co". Malingen på baksiden av frontglasset flasser, og papp-passepartout som trolig har vært tilstede mangler nå. Kan ha blitt fjernet pga vannskade, baksidepapiret peker også i retning av en eldre reparasjon.
Unknown artist
Kjøpt på Eek auksjonsforretning, Skien Telemark, I 2014 sammen med NO-PRI-CA1
Private collection
Kjøpt på Eek auksjonsforretning, Skien Telemark, I 2014 sammen med NO-PRI-CA1
Unknown artist
MsonB, BREVETE, S.G.D.G embossed on the case. This mark designates "sans garantie du governement" a French Government guarantee introduced in 1844. It may have been used here relating to the silvered plate sold within the case not sensitized but ready to be prepared for use by a daguerreotypist. The content of silver was therefore protected and guaranteed in France.
Private collection
MsonB, BREVETE, S.G.D.G embossed on the case. This mark designates "sans garantie du governement" a French Government guarantee introduced in 1844. It may have been used here relating to the silvered plate sold within the case not sensitized but ready to be prepared for use by a daguerreotypist. The content of silver was therefore protected and guaranteed in France.
Unknown artist