Portrait of Prince Albert of Saxe-Coburg-Gotha. / Queen Victoria attended the first London performance given by the Swedish soprano Jenny Lind on the 4th of May 1847. She described the occasion in her journal: 'The great event of the evening however was Jenny Lind's appearance & her complete triumph. She has the most exquisite, powerful, & really quite peculiar voice'. She later sang among the choristers at the wedding of the Prince of Wales in St George's Chapel in 1863. Kilburn exhibited several daguerreotypes at the Great Exhibition, with this image being particularly well received. The exhibition jury commented: 'For novelty of design we may mention a small picture of the interior of a room, including a whole-length portrait of Jenny Lind: beside, and near her, is a large mirror, in which the figure is reflected. That the reflection in the glass is equally perfect with the original is the point worthy of remark and commendation'. The daguerreotype was also reproduced with significant cropping in carte-de-visite format, such as in the example today kept at the Victoria & Albert Museum, London (Museum Number S.138:66-2007).

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Portrait of Prince Albert of Saxe-Coburg-Gotha. / Queen Victoria attended the first London performance given by the Swedish soprano Jenny Lind on the 4th of May 1847. She described the occasion in her journal: 'The great event of the evening however was Jenny Lind's appearance & her complete triumph. She has the most exquisite, powerful, & really quite peculiar voice'. She later sang among the choristers at the wedding of the Prince of Wales in St George's Chapel in 1863. Kilburn exhibited several daguerreotypes at the Great Exhibition, with this image being particularly well received. The exhibition jury commented: 'For novelty of design we may mention a small picture of the interior of a room, including a whole-length portrait of Jenny Lind: beside, and near her, is a large mirror, in which the figure is reflected. That the reflection in the glass is equally perfect with the original is the point worthy of remark and commendation'. The daguerreotype was also reproduced with significant cropping in carte-de-visite format, such as in the example today kept at the Victoria & Albert Museum, London (Museum Number S.138:66-2007).