Invitation to Art; Peter Paul Rubens

WGBH Educational Foundation · 1962

For the last program in the season, Dr. O'Doherty turns to the past -- to one of the most successful and vigorous painters in an era that demanded vigor and success. Rubens is, says Dr. O'Doherty, a splendid example of the thoroughly professional and well-adjusted man; his art, life his life, reflects enthusiasms, hope, and love of the world he lived in. Statesman, scholar, diplomat, and great artist, Rubens exemplifies all that man can aspire to be, and his art, as Dr. O'Doherty points out, is an idealization of nature in its most exuberant and healthy forms. (Description adapted from documents in the NET Microfiche) This series explores man and the world around him through the eyes of artists, past and present, and aims to develop an understanding of art as a direct expression of universal emotions. As the host, Dr. Brian O'Doherty, young Irish poet, painter, and art critic, brings a fresh, witty and warmly human point of view to the visual arts. In the first season (episodes 1 - 15), O'Doherty follows, through these arts, the cycle of man from childhood to old age and explores the society in which man lives in all its aspects - tragic, comic, and mundane. Dr. O'Doherty uses works of art now on display in the galleries of the Museum of Fine Arts, Boston, MA, to illustrate the episodes. Patricia Barnard of the Boston Museum of Fine Arts supervises production. Her assistant is Thalia Kennedy of the Museum staff. In the second season (episodes 16 - 30), each episode either examines in detail the work and thought of one of the great artists of the past, or consists of skillful and sympathetic interviews by Dr. O'Doherty of distinguished living artists who have had a powerful influence upon the art of today. In the third season (episode 31 - 34), Dr. O'Doherty interviews a distinguished American artist who have had a powerful influence upon the art of today. In the fourth season (episodes 35 - 41), a pattern of ideas evolves, revealing the various roles of the artist. This series was originally record in black and white on kinescope. (Description adapted from documents in the NET Microfiche)