Gallery›National Science and Media Museum Bradford›Half length portrait of a seated man, not all in focus, frowning at the camera. He holds something in his right hand (pair of lorgnettes, or watch in case?) There may be a small circular table to his right, with a pile of books. He wears a double breasted jacket, darker waistcoat, white shirt with patterned cravat. He has slightly receding hair and sideburns.
Half length portrait of a seated man, not all in focus, frowning at the camera. He holds something in his right hand (pair of lorgnettes, or watch in case?) There may be a small circular table to his right, with a pile of books. He wears a double breasted jacket, darker waistcoat, white shirt with patterned cravat. He has slightly receding hair and sideburns.
National Science and Media Museum Bradford

Half length portrait of a seated man, not all in focus, frowning at the camera. He holds something in his right hand (pair of lorgnettes, or watch in case?) There may be a small circular table to his right, with a pile of books. He wears a double breasted jacket, darker waistcoat, white shirt with patterned cravat. He has slightly receding hair and sideburns.

Unknown artist

CC0 — Public Domain
National Science and Media Museum Bradford

Half length portrait of a seated man, not all in focus, frowning at the camera. He holds something in his right hand (pair of lorgnettes, or watch in case?) There may be a small circular table to his right, with a pile of books. He wears a double breasted jacket, darker waistcoat, white shirt with patterned cravat. He has slightly receding hair and sideburns.

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National Science and Media Museum Bradford
Sculpture of 'Laocoon and his sons', also known as the 'Laocoon group'. Excavated in Rome in 1506 it is a prime example of classical sculpture. The style of the sculpture is Hellenistic "Pergamene baroque". The original is Marble, but it is unclear whether this is a stereoscopic photo of the original or of a copy, which may have been made from an alternative material. The statue has since been altered by removal of restored parts, thought not to conform to original intentions, which were removed in the 1980s. The scene depicted is debated as to whether it is from the Greek Epic Cycle, or Virgil's Aeneid. It was displayed at the Great Exhibition in 1851.
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