Gallery›The Norwegian Museum of Cultural History›Maleri
Maleri
The Norwegian Museum of Cultural History

Maleri

1680

CC0 — Public Domain
The Norwegian Museum of Cultural History

Korsfestelsen. Kristus og de to røverne er naglet til hvert sitt kors. Maria og Johannes står til venstre i bildet. Maria Magdalena kneler ved korsets fot. Soldater spiller terning om kappen til Kristus til høyre i bildet. En annen soldat strekker en stang med en svamp opp til Kristus.

🔒
Order museum-quality prints

Sign in to order prints, canvas, and more of this work. Browsing and full-resolution downloads stay free.

More from The Norwegian Museum of Cultural History

Typical of daguerreotypist C.F.Stelzner. Bakteppet har en skjøt til høyre i likhet med flere andre norske daguerreotypier. Antatt å være av samme fotograf. Blåtonen i sjalet skyldes overeksponering. The backdrop has a seam to the right as seen in other Norwegian daguerreotypes (Norsk Folkemuseum). Assumed taken by the same photographer. The blue tint on the shawl is due to overexposure. Stelzner advertized in Morgenbladet newspaper in the summer of 1843 that he would be making daguerreotype portraits in Christiania (now Oslo). The lable on the verso shows his Hamburg address as it was used by him untill nov. 1844.
The Norwegian Museum of Cultural History
Typical of daguerreotypist C.F.Stelzner. Bakteppet har en skjøt til høyre i likhet med flere andre norske daguerreotypier. Antatt å være av samme fotograf. Blåtonen i sjalet skyldes overeksponering. The backdrop has a seam to the right as seen in other Norwegian daguerreotypes (Norsk Folkemuseum). Assumed taken by the same photographer. The blue tint on the shawl is due to overexposure. Stelzner advertized in Morgenbladet newspaper in the summer of 1843 that he would be making daguerreotype portraits in Christiania (now Oslo). The lable on the verso shows his Hamburg address as it was used by him untill nov. 1844.
agent 6494a9ca-c9fc-11e3-8933-738e81f05068
Maleri
The Norwegian Museum of Cultural History
Maleri
Ukjent
Tegning
The Norwegian Museum of Cultural History
Tegning
Gjone, Erling
Bakteppet har en skjøt til høyre i likhet med flere andre norske daguerreotypier. Antatt å være av samme fotograf (typisk for daguerreotypist C.F.Stelzner). Blåtonen på dekorasjonen skyldes overeksponering. For identifisering vedr. det militære aspekt se kommentar til Knut Erik Strøm • 14. aug. 2014 (Digitalt Museum) The backdrop has a seam to the right as seen in other Norwegian daguerreotypes. Assumed taken by the same photographer (Stelzner?). The blue tint on his decoration is due to overexposure. Stelzner advertized in Morgenbladet newspaper in the summer of 1843 that he would be making daguerreotype portraits in Christiania (now Oslo).
The Norwegian Museum of Cultural History
Bakteppet har en skjøt til høyre i likhet med flere andre norske daguerreotypier. Antatt å være av samme fotograf (typisk for daguerreotypist C.F.Stelzner). Blåtonen på dekorasjonen skyldes overeksponering. For identifisering vedr. det militære aspekt se kommentar til Knut Erik Strøm • 14. aug. 2014 (Digitalt Museum) The backdrop has a seam to the right as seen in other Norwegian daguerreotypes. Assumed taken by the same photographer (Stelzner?). The blue tint on his decoration is due to overexposure. Stelzner advertized in Morgenbladet newspaper in the summer of 1843 that he would be making daguerreotype portraits in Christiania (now Oslo).
Unknown artist