Typical of daguerreotypist C.F.Stelzner. Bakteppet har en skjøt til høyre i likhet med flere andre norske daguerreotypier. Antatt å være av samme fotograf. Blåtonen i sjalet skyldes overeksponering. The backdrop has a seam to the right as seen in other Norwegian daguerreotypes (Norsk Folkemuseum). Assumed taken by the same photographer. The blue tint on the shawl is due to overexposure. Stelzner advertized in Morgenbladet newspaper in the summer of 1843 that he would be making daguerreotype portraits in Christiania (now Oslo). The lable on the verso shows his Hamburg address as it was used by him untill nov. 1844.

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Typical of daguerreotypist C.F.Stelzner. Bakteppet har en skjøt til høyre i likhet med flere andre norske daguerreotypier. Antatt å være av samme fotograf. Blåtonen i sjalet skyldes overeksponering. The backdrop has a seam to the right as seen in other Norwegian daguerreotypes (Norsk Folkemuseum). Assumed taken by the same photographer. The blue tint on the shawl is due to overexposure. Stelzner advertized in Morgenbladet newspaper in the summer of 1843 that he would be making daguerreotype portraits in Christiania (now Oslo). The lable on the verso shows his Hamburg address as it was used by him untill nov. 1844.