Le NOUVEAU PARIS. Comme c'est heureux pour les gens pressés qu'on ait élargi les voies de communication!!!

Trustman, Benjamin A., Trustman, Julia M. · 1862

A group of people stand waiting on the sidewalk for a coach to pick them up; meanwhile the streets are full of coaches and a man rushes across the street, narrowly avoiding collision with the carriages. This print is quite interesting in its detail work, showing the evolution in Paris since Haussmann's architectural changes. An allusion to the stress to be expected in a large city can already be felt in this illustration by Daumier. The original lithographic stone of this print is in the Bibliothèque Nationale in Paris. The Museum also has a print on China paper. In 1957, Passeron discovered a copy of this superbe print in the residence of Picasso "La Californie" in Cannes. Picasso was an admirer of Daumier's and called him one of the greatest masters of 19th century art. LE MONDE ILLUSTRÉ. Daumier ceased working for the Charivari in February 1860. At this period he also worked for Le Monde Illustré, supplying wood engravings for this weekly magazine. Until 1869 he produced 25 prints for this paper. At the same time he worked for LE BOULEVARD, where this print was published. LE BOULEVARD and SOUVENIRS D'ARTISTES. This weekly illustrated journal was established by the artist, journalist, and photographer Etienne Carjat. The editors were Aubert and Delauney while Carjat acted as editor-in-chief. The first number appeared on January 5, 1862 (a first so-called specimen edition came out on December 1, 1861, apart from the total of 76 numbers), and the last one on June 14, 1863. There also exists an album : "Collection des Charges de Portraits, scènes comiques sur les principaux personnages de notre temps". The publication can be considered a very rare and very important mirror for the time of the second Empire with its literary, critical, anecdotal and illustrated contributions. Banville, Baudelaire, Carjat, Champfleury, Alphonse Daudet, Victor Hugo and many more were literary contributors. The 118 illustrations of LE BOULEVARD were by Carjat, Doré, Daumier and others. Daumier did 11 illustrations for this paper: DR 3243-3252, 3254. All of them can be considered exceptional lithographs in their quality and expression. DR 3243 and 3246 carry the title LE BOULEVARD. All the others don’t show this title. The information conc. DR3246 originates from the 1904 Hazard work catalogue. We have yet to see a print to be able to confirm this. In 2004 a complete bound set of the Boulevard was offered in New York for 12'500 $. In 2001 a complete bound version was sold in a French auction house for 10'000 French Francs. For each of the lithographic stones which Daumier delivered to Carjat for publication in the BOULEVARD, he received the amount of 50 Francs. All these scenes were considered outstanding pieces of art and were immediately reprinted with a wide margin on heavy white paper in the album SOUVENIRS D’ARTISTES. The Album included also DR 3253 (not part of the BOULEVARD edition). Some rare impressions on “Chine appliqué” were set aside for selected collectors. DR 3243 and 3246 carry the title Le Boulevard, the other prints don't.