L' ENLEVEMENT D'HÉLÈNE. Pâris qui par amour sur les dents s'était mis, N'était plus guère bon qu'à fumer un cigarre. Hélène le savait aussi sans crier gare, Sur ses robustes bras elle enleva Pâris. (Enëide, travestie par Mr. Patin.)
Digital Commonwealth — Brandeis University Libraries

L' ENLEVEMENT D'HÉLÈNE. Pâris qui par amour sur les dents s'était mis, N'était plus guère bon qu'à fumer un cigarre. Hélène le savait aussi sans crier gare, Sur ses robustes bras elle enleva Pâris. (Enëide, travestie par Mr. Patin.)

Trustman, Benjamin A., Trustman, Julia M. · 1842

CC0 — Public Domain
Digital Commonwealth — Brandeis University Libraries

Helen is kidnapping Paris. In this print Daumier ridicules the abduction of Helen: she is neither beautiful nor weak, and who abducts whom in this picture? During the 1840's, a quarrel between painters of the classic and romantic schools had fully flared up. Delacroix asked the "loaded" question: "Who is going to liberate us from the old Greeks?" Daumier succeeded to answer it his own way by showing historic personalities such as Hercules, Pygmalion or Agamemnon in absurd situations.

🔒
Order museum-quality prints

Sign in to order prints, canvas, and more of this work. Browsing and full-resolution downloads stay free.