ca. 1879-1962
In mourning symbolism of the nineteenth century, banners were symbolic of victory over death. Banners carry the connotation of battle flags, which carried the insignia of those in command and served as a rallying point. Victory over death is rooted in the tenants of the Christian faith, and in the nineteenth century this concept was magnified. Death and eternity in heaven were seen as the victory of faithfulness. Symbols of victory reminded the Christian that whatever pain and suffering one may endure, they would come out on the other side into glory and heaven. In addition to symbolic shapes, references to victory were made through the “Language of Flowers” by using palm, laurel, or nasturtium. As they alluded to the reward at life’s end, set pieces in the form of victory symbols were especially suited to funerals, but they might also be used at other religious events and occasions. Additionally, as an emblem of battle, the banner flower frame was also suited to the funerals of active military and veterans. Flower frame designs of national symbols and emblems of the military branch of the fallen celebrated their patriotism. Often flowers the same color as the American flag were employed in arrangements, such as roses, carnations, and cornflowers to create the patriotic red, white, and blue color scheme. Nationally symbolic designs such as banners, American flags, eagles, and many other designs were also displayed in shop windows and at ceremonies for holidays such as Independence Day and Memorial Day. These designs remained popular into the twentieth century.
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