The Chinese Emperor Minghuang and his concubine Yang Guifei, with attendants on a terrace
National Museum of Asian Art

The Chinese Emperor Minghuang and his concubine Yang Guifei, with attendants on a terrace

Kano Eitoku 狩野永徳 (1543-1590) · 16th century

Ink, color, and gold on paper
National Museum of Asian Art
CC0 — Public Domain
National Museum of Asian Art

Few works of Chinese literature have so enthralled the Japanese people as The Song of Everlasting Sorrow, a narrative poem by the Chinese poet Bo Juyi (772-846) of the Tang dynasty (618-907). The poem recounts the tragic story of Emperor Xuanzong (reigned 712-756), commonly known as Minghuang, whose excessive love for his beautiful concubine, Yang Guifei (circa 720-756), led to intrigue at court and disorder in the empire. Yang Guifei was put to death in 756 during the An Lushan uprising. The passionate love and inconsolable grief portrayed in the Chinese poem found a sympathetic reception in the Japanese imperial court of the Heian period (794-1185), where the emotional entanglements of Japanese aristocrats became the theme of The Tale of Genji, an important work of narrative fiction written by a noblewoman, Murasaki Shikibu.

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