The Mystery of Life

George Grey Barnard, born Bellefonte, PA 1863-died New York City 1938 · modeled 1895-1897

The Mystery of Life is one of several allegorical images of Life and Death from an urn that George Grey Barnard created to hold the ashes of the Metropolitan Opera conductor Anton Seidl. The sculptor conceived of a work that would represent both life and death. The veiled figure of Death holds the egg or embryo of life, and underneath is a poppy that refers to sleep and a lily that symbolizes resurrection. Barnard’s description of the piece reflects late nineteenth-century attitudes about the “nature” of men and women. The man, who struggles to provide for his family, resists death. The woman, however, through her role as a mother, surrenders to the inevitable as a natural part of the cycle of life.