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Inre fjordlandskap, med två passagerarbåtar.
Bohuslän Museum

Inre fjordlandskap, med två passagerarbåtar.

Hallgren, Hugo

CC0 — Public Domain
Bohuslän Museum

Inre fjordlandskap, med två passagerarbåtar.

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Sv/v photograph behind glass pasted on cardboard cardboard with black profiled paper, similar to a frame. The one corner of the glass is brackish. The portrait depicts Wilhelm von Braun (1813-1860), the author and the shell. Under the photograph is printed: Foot. Lauritz Olsen Kjöbenhavn Hereunder written in ink: Wilh. von Braun -- "Ha 'n In did his writing, fools? A thorny tag pen, and the ink - tears. " The text may possibly be written by himself. The handwritten lines during the photograph are taken from one of his more serious poems, Mitt konterfej. Here the first and last stanzas of this poem: It was too furiously hilarious! No! Is this to be my conterfey? Is this one  “old beÂ,” so thick in sight, And with the frowned eyebrows, My own beloved, sworn friend, The himself so called Brn The der poet, who jemt wants to roar To arrive with it  “equivoqua”? The der, whom the ladies never read, And as af them becomes appropriately tight? But I’ll joke, isn’t it that way? It wants the publisher. Well hope! let go! It’s good fun to be fun, When with the lack is confidential! But, just as good! You have been appalled, To believe me to be a lusty f-n. Hope therefore pajas! There is a good fate: In the tomb, you do not spawn. How lucky it, who is happy dead! I have to laugh to get bread. ... If people just knew, how the joy flaws For the so-called humorists, They would thank their God for it he without humor them born sounded. As the bones lie in the saint’s rabbit, There is grief in the woolly grin; However, hvad cares about it der, If the humorist is just about  “rolig” is! But have 'n I notched his writing, fools? A thorny tag pen, and the ink - tears. ... And now, my gunly public, You image seen af a happy poet, As now more to little delight, Af very small - just four boards. (Ur Carolina, 1844) Wilhelm von Braun was born on the Brängesås estate in Kölingared in the municipality of Ulricehamn and is buried in the Northern cemetery in Uddevalla. From Nationalencyclopedia: "Author. B. became a lieutenant in 1839, but in 1846 took his dismissal from the military. He made his debut with Dikter (1837-38) and then collected his poems and prose pieces in literary calendars, from Calle (1843) to Borup (1860), a total of ten. With his coarse-grained humor, sentimentality and his petty bourgeois rabulism, he was for some decades one of the most popular poets in the country. From Knut Adrian Andersson’s catalog: III: 67: 3 No 4 Cabinet format photograph of the scale Wilhelm von Braun with a signature and The following verses: “He I scorched his writing, fools? A thorny tag pen and the ink tears.” Sk. 22/3 1916 by Mrs Ellen Lönner Karlsson From the Handwritten Catalogue 1957-1958: Photography: W.v. Braun The dimensions of the photo. H. 13. Br. 9.5. Framed. Signed “Wilh. von Braun” and verse. 14 Lappdirectory:! The information is from the following model form Reference to UM 000,983.
Bohuslän Museum
Sv/v photograph behind glass pasted on cardboard cardboard with black profiled paper, similar to a frame. The one corner of the glass is brackish. The portrait depicts Wilhelm von Braun (1813-1860), the author and the shell. Under the photograph is printed: Foot. Lauritz Olsen Kjöbenhavn Hereunder written in ink: Wilh. von Braun -- "Ha 'n In did his writing, fools? A thorny tag pen, and the ink - tears. " The text may possibly be written by himself. The handwritten lines during the photograph are taken from one of his more serious poems, Mitt konterfej. Here the first and last stanzas of this poem: It was too furiously hilarious! No! Is this to be my conterfey? Is this one  “old beÂ,” so thick in sight, And with the frowned eyebrows, My own beloved, sworn friend, The himself so called Brn The der poet, who jemt wants to roar To arrive with it  “equivoqua”? The der, whom the ladies never read, And as af them becomes appropriately tight? But I’ll joke, isn’t it that way? It wants the publisher. Well hope! let go! It’s good fun to be fun, When with the lack is confidential! But, just as good! You have been appalled, To believe me to be a lusty f-n. Hope therefore pajas! There is a good fate: In the tomb, you do not spawn. How lucky it, who is happy dead! I have to laugh to get bread. ... If people just knew, how the joy flaws For the so-called humorists, They would thank their God for it he without humor them born sounded. As the bones lie in the saint’s rabbit, There is grief in the woolly grin; However, hvad cares about it der, If the humorist is just about  “rolig” is! But have 'n I notched his writing, fools? A thorny tag pen, and the ink - tears. ... And now, my gunly public, You image seen af a happy poet, As now more to little delight, Af very small - just four boards. (Ur Carolina, 1844) Wilhelm von Braun was born on the Brängesås estate in Kölingared in the municipality of Ulricehamn and is buried in the Northern cemetery in Uddevalla. From Nationalencyclopedia: "Author. B. became a lieutenant in 1839, but in 1846 took his dismissal from the military. He made his debut with Dikter (1837-38) and then collected his poems and prose pieces in literary calendars, from Calle (1843) to Borup (1860), a total of ten. With his coarse-grained humor, sentimentality and his petty bourgeois rabulism, he was for some decades one of the most popular poets in the country. From Knut Adrian Andersson’s catalog: III: 67: 3 No 4 Cabinet format photograph of the scale Wilhelm von Braun with a signature and The following verses: “He I scorched his writing, fools? A thorny tag pen and the ink tears.” Sk. 22/3 1916 by Mrs Ellen Lönner Karlsson From the Handwritten Catalogue 1957-1958: Photography: W.v. Braun The dimensions of the photo. H. 13. Br. 9.5. Framed. Signed “Wilh. von Braun” and verse. 14 Lappdirectory:! The information is from the following model form Reference to UM 000,983.
Olsen, Lauritz
Enligt text som medföljde bilden: "Tremastade slätskonerten Hedvig från vår veranda".
Bohuslän Museum
Enligt text som medföljde bilden: "Tremastade slätskonerten Hedvig från vår veranda".
Hallgren, Hugo
According to the photographer, “Uddevalla. Portrait of Charlotta Silferstolpe.”
Bohuslän Museum
According to the photographer, “Uddevalla. Portrait of Charlotta Silferstolpe.”
Almquist, David
Tanum sn. Dös vid Kärra. Originalkopian finns i närarkivet. Landskapet är starkt kuperat med jordbruksområden och samhällen i flacka dalgångar mellan höga bergpartier. Tanumsslätten är ett för Bohuslän unikt odlingslandskap med stark kulturhistorisk identitet. Världsarv Tanum. UNESCO utsåg området runt Tanumsslätten till världsarvsområde 1994 p g av områdets unika hällristningsmiljöer från bronsåldern. Området är ca 50 kvadratkilometer stort och rymmer ca 1500 kända hällristningar, ett stort antal andra fornlämningar och värdefulla bebyggelsemiljöer. Stora betydande hällristningsmiljöer ligger vid Kalleby, Aspeberget, Tegneby, Vitlycke och Fossum. Kulturlandskapet uppvisar ett stort och, genom sina lämningar, många gånger läsbart tidsdjup. Hällristningarna är områdets värdekärna, men även landskapet och bebyggelsen är viktiga för världsarvsområdet. Sverige skyddar detta genom miljöbalken som ett riksintresse för kulturmiljövård. Dagens E6 går rakt igenom världsarvsområdet på en sträcka av 7 km. Källa: "Världsarv Tanum" Alta Vista Internet.
Bohuslän Museum
Tanum sn. Dös vid Kärra. Originalkopian finns i närarkivet. Landskapet är starkt kuperat med jordbruksområden och samhällen i flacka dalgångar mellan höga bergpartier. Tanumsslätten är ett för Bohuslän unikt odlingslandskap med stark kulturhistorisk identitet. Världsarv Tanum. UNESCO utsåg området runt Tanumsslätten till världsarvsområde 1994 p g av områdets unika hällristningsmiljöer från bronsåldern. Området är ca 50 kvadratkilometer stort och rymmer ca 1500 kända hällristningar, ett stort antal andra fornlämningar och värdefulla bebyggelsemiljöer. Stora betydande hällristningsmiljöer ligger vid Kalleby, Aspeberget, Tegneby, Vitlycke och Fossum. Kulturlandskapet uppvisar ett stort och, genom sina lämningar, många gånger läsbart tidsdjup. Hällristningarna är områdets värdekärna, men även landskapet och bebyggelsen är viktiga för världsarvsområdet. Sverige skyddar detta genom miljöbalken som ett riksintresse för kulturmiljövård. Dagens E6 går rakt igenom världsarvsområdet på en sträcka av 7 km. Källa: "Världsarv Tanum" Alta Vista Internet.
Ehnebom, J.