Konservert emballering med nytt, klart glass, innbinding og kopiert papirpassepartout. Old intervention added thick cardboard and textile tape, the glass missing after this repair. Newer restauration added a paper mat imitating original painted design, a cover glass and a binding.

Daguerreotyp-Portraits

Omtale av daguerreotypisten C.F. Stelzner på side 3 i avisen den Norske Rigstidende 20.08.1843 i Christiania (Oslo). Han opplyser om et opphold av åtte dager i atelier satt opp i kapt. Döderliens hus i Russeløkveien. Deretter planlegger han å returnere til Hamburg. Omtalen nevner høy kvalitet, større plater enn de man har sett i Christiania (O.F. Knudsens) og lavere pris. Stelzners bakgrunn som portrettmaler og elev av Daguerre fra Paris er også nevnt. Review about daguerreotypist C.F.Stelzner's arrival on page 3 in newspaper Den Norske Rigstidende, August 20th, 1843. The announcement states that he would be staying for eight days in a studio set up in capt. Döderliens house at Russeløkveien in Oslo and return to Hamburg after about a week. Stelzner's daguerreotypes are of highest quality, larger than what is known in the city (O.F. Knudsen's) but lower in price. His reputation as a portrait painter and student of Daguerre from Paris are also mentioned.

Frame in very bad condition, practically falling apart

Portrett av en eldre mann med nedsunkne, lukkede øyner (grunnet blindhet?). Portrait of an elderly man with his eyes sunken and closed (due to blindness?).