
Kamal Muhammad, possibly by
Women visiting an ashram. Painting (tinted drawing, or nim qalam), colours and gold on paper, mounted on card, three women and a child stand before an ascetic, seated on a tigerskin outside a domed ashram with another sadhu, while a younger acolyte (chela) looks out from a doorway, inscribed "the work of Kamal Muhammad [and Muhammad?]", possibly Bijapur (Vijayapura), Deccan, India, c. 1675-1700.
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